Thursday, June 6, 2013

Black Doll Show and Sale, Sykesville, MD - Sat., June 8, 2013



Photograph courtesy of Vicky Hoff Forbes








CHARM CITY DOLLING CLUB OF MARYLAND
Presents
A BLACK DOLL SHOW & SALE
For the benefit of THE HISTORIC SYKESVILLE COLORED SCHOOLHOUSE

WHERE: Sykesville Town House
7547 Main Street
Sykesville, MD. 21784

WHEN:  Saturday, June 8, 2013 10 a.m. EDT

$3 admission 13 yrs. and older $1 admission children 12 and under

• Visit the Schoolhouse
• Enjoy strawberry shortcake
• Stroll Main Street Shops
Talk with original students of the schoolhouse now in their 90's


All kinds of collectible artist made and vintage dolls will be for sale including a large selection of Daddy's Long Leg dolls from the estate of Ann Seymour. Great gift buying opportunity. Don't miss it!

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Wednesday, June 5, 2013

She's Here! She's Here!

Who's here, you ask?  My birthday doll from me to me.  The doll that traveled from Germany to America.  My smiling beauty, who was formerly unnamed (I thought), for whom I solicited name suggestions was picked up from my PO box this past Saturday, June 1st.


In my haste to examine my smiling beauty and to try on the three dresses that doll friend, Betty A sent me for no particular reason, I did not take a full-body photograph of her in her original fashion, a deep coral colored, butterfly print, silky sarong.   A full-view photograph in the sarong was really not necessary because she looked exactly like the full-view picture shared in my original post.

As indicated, initially I thought my lovely girl was unnamed, but her accompanying certificate bears the name given to her by Woelfert-Puppen, "smilling beauty Debbie."  So that is her name.  (Smiling is spelled with two l's on the certificate.) 

My birthday doll holds her certificate from Woelfert-Puppen, which bears her company-given name and other vital information.

Before her arrival, I had settled on the name Destiny Zipporah.  Destiny was suggested by doll friend, Janice Larsen-Tyre, which seemed appropriate to her and to me because I was destined to own her.   I wanted to use a biblical name as her middle name.  Zipporah, was inspired by Moses's wife.  As it turns out, Debbie is a short form of a biblical name (Deborah).   

The two Debs

I love everything about Smiling Beauty Debbie.  Her human hair wig has a beautiful texture and feel.  Her mouth-blown brown glass eyes are beautiful!  Her broad-like-mine nose is adorable as is her toothy smile.  What I love most is her soft and supple, but sturdy all-vinyl composition.  I initially imagined the vinyl would be rigid like that used for most artist dolls.  For those familiar with John Nissen dolls, Debbie's vinyl is comparable, making her less weighty than a Himstedt.  She is jointed in the usual areas in addition to the waist and knees. The only thing I would change about my namesake would be the addition of elbow and wrist joints.  That would increase her pose-ability. 

Debbie and I spent most of Saturday afternoon deciding which of the three dresses from Betty A. she would wear.  I also tried one additional outfit on her.  Surprisingly, the dress I thought I would enjoy most on her has now changed to another.  Her photo shoot is below.

First we tried on the brown and gold African-print dress.  The brown suede sandals belong to Matoka by Annette Himstedt.
Since she already had on Matoka's sandals, I tried Matoka's original fashion on Debbie.  The wrap skirt is a little big on her waist, but it can be adjusted.  I think she wears it well. 
Next we tried on the brightly colored yellow dress with red circle-print pattern and red and white polka dot sash.   The child's size 6 white sandals are a little long (but this gives her some "grow" room.)  She looks ready for a warm day of play. 


Debbie looks adorable in the red and white polka dot sheer dress.  I used the sash from the yellow dress as a headband and added a white satin ribbon waist sash.  The white sandals also pair well with this dress as will white or black patent-leather Mary Janes that she can borrow from Matoka's shoe stash.

Debbie poses with Himstedt's Matoka.  The two dolls are about the same size, 33-1/2 inches and actually could pass for sisters.  Matoka remains my favorite doll by Himstedt and now Smiling Debbie is my favorite doll in this size range.
I love her!  For me, she was well worth the wait and the cost.

Which of these dresses is your favorite on Smiling Beauty Debbie?  Did I write that I love her?  Well I do!

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Monday, June 3, 2013

An Arm for a Doll

In a previous post, I shared an image of the near identical arm that my husband sculpted for my one-armed mama doll. 
 
In the sculpting process, he used two different batches of polymer clay with pieces layered over others -- new over old or old over new.  Unfortunately, the two would not form a bond.  Several cracks or breaks in the polymer developed and could not be smoothed out.  In addition to the cracks, because of the layering, the arm had become heavy and unfortunately could not be used as a replacement for my doll. 

Husband suggested that I try to find a replacement arm on eBay before he sculpts another using one batch of clay.  One step ahead of him, I had already searched eBay and saved two searches to be notified of future listings of "composition doll arm" and "composition doll parts."  


Saran Wrap and paper tape arm mold saved for possible future use.
Fortunately, I kept the arm mold I created using Saran Wrap and paper tape.  I decided to go forward with the plan to stuff and paper mache this partial mold. 

Polyfil stuffing, paper tape, aluminum foil, and the inside of Saran Wrap/paper tape mold

I used aluminum foil to create an armature and wrapped it with several layers of Polyfil stuffing to achieve the proper width and length of the inner arm.  This armature was placed inside the Saran wrap/paper tape mold.


Saran Wrap/paper tape mold is stuffed with armature and partially paper-taped closed.

I then taped the cut edges of the undersurface of the arm closed using paper tape.  The entire arm was wrapped several times with additional paper tape to add firmness.

The arm is now completely stuffed and the undersurface taped closed.

The Paper Mache Process:



Newspaper strips, arm mold, glass container, paper mache mixture

Next, I cut several 1- to 3-inch strips of newspaper and used a no-cook paper mache recipe to apply the strips to the arm.  This brought back pleasant memories of my first paper mache project in elementary art class (3rd grade, I think).  
Arm mold is partially paper mached.

Each strip was dipped in the paper mache mixture before wrapping around the arm in a circular pattern.   I completed the upper arm first and propped the lower portion inside a small glass container for air drying before the lower arm and hand were paper mached.  I applied a total of three layers of paper mache, allowing each layer to dry for several hours before applying the next.  This process took three days.  When not in use, the paper mache mixture was stored in a covered container in the refrigerator.

Paper mache process completed; ready for sealing

Two layers of Mod Podge were added to seal the paper mache and to give the arm added firmness.

Mod Podge-applied arm and hook/connector

I purchased a mountable wall hook to connect the arm to the body.  A slit in the undersurface of the upper arm accommodates the hook.




Lynn's body already had a small opening where the previous connector had been, so I slid the circular portion of the wall hook inside the opening to test whether it would serve the intended purpose.  I left  the adhesive backing on the base of the hook covered.  I'll remove the backing later, but maybe not because I want the arm to have movement. 

Lynn tries on her new prosthesis for size.  She declares it a nice fit!


The final step of painting the arm has been completed.  Since the fingers were molded as one unit, I had my husband draw them before I primitively outlined them too heavily with paint, which distorted his drawing.  So I painted over the fingers, redrew them myself, and outlined them a final time.  They are not perfect, but will serve Lynn's purpose. (I thought about cutting the fingers out after the paper mache hardened, but decided drawing them was an okay option.)  


Lynn's new arm with drawn-on fingers and thumb

Lynn now has two arms of the same color.  She took one final photograph with Jane before both were placed in another area of the doll room.

Lynn and Jane pose for one final picture for this post.

Next up will be new wigs for both dolls.  Jane's is sparse and refuses to reset into Shirley Temple curls (I have made two failed attempts).  Lynn's original wig sheds if you look at it too hard.  


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