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Massapequa, New York courtesy of Google |
A kind woman tasked with rehoming a doll collection shared the first two doll photos below after asking me by email if I had an interest in the photographed dolls. I did and the dolls were sent from a Massapequa, NY return address within a few weeks.
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Rosa's Character Dolls, Uncle Bill Cornelius and Southern Mammy: Magnolia, c. late 1940s-early 1950s |
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Jamaica souvenir dolls include two women and a man. |
I knew Massapequa must have Native American roots, so I googled Massapequa and found the following Wikipedia entry:
Massapequa (/ˌmæsəˈpiːkwə/, mass-ə-PEEK-wə) is a hamlet and census-designated place (CDP) in the Town of Oyster Bay in Nassau County, on the South Shore of Long Island, in New York, United States. It is considered the anchor community of the Greater Massapequa area. The population of the CDP was 21,685 at the time of the 2010 census.
The Greater Massapequa area, which includes the nearby CDPs of North Massapequa and East Massapequa, as well as the incorporated village of Massapequa Park, has a combined population of over 75,000.
A 19th-century writer identified Massapequa as one of the "13 tribes of Long Island," but additional research has shown that they were a band of Lenape, the Algonquian-speaking people who occupied the western part of the island at the time of European encounter. The bands were identified by names of the geographic areas they occupied.
In addition to the dolls shared in the sender's photographs, souvenir dolls from Ecuador, Ethiopia, and a doll that appears to represent a Fulani tribeswoman were included in the package.
The original owner possibly traveled to these places throughout her life during the '40s through '70s and/or purchased some dolls at auctions and from gift shops.
I wanted the two Rosa's Character Dolls more than the others to add to my Virtual Black Doll Museum installation of May 2021*, but I was pleased to receive the extras. My photos of the dolls and captions follow.
My Photos
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Rosa's Character Dolls Uncle Bill Cornelius and Southern Mammy: Magnolia are part of the artist's 2nd or 3rd generation of dolls made when the facial features were crudely sculpted. The 1st generation dolls have better defined facial features. |
The above two dolls' backstories are typewritten and attached to the bottom of their wooden bases as illustrated next:
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Uncle Bill Cornelius' back story
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Magnolia's backstory |
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Jamaica souvenir dolls—the two women have baskets of paper fruit attached to their heads. |
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Ecuador Souvenir Doll: 6-1/2 inch nuthead doll with arms, body, legs, and feet made of round shells; has an attached hat made of gourds and carries a decorated carved gourd on its back attached with twine. Holds a walking stick and stands on an attached wooden base. |
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The handwritten hangtag reads: Ecuador, shells, nuts, and gourd / Purchased July 30, 1973 / Grand Lake, Colorado $3.15 |
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The Ecuador souvenir doll's gourd has painted crosses or X's around the top. |
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A view from the back of the Fulani doll. |
Thank you again, MB of Massapequa, NY, for this interesting gift of dolls.
*The addition of Rosa's Character Dolls to the May 12, 2021, Virtual Black Doll Museum installation can be read
here.
©Black Doll Collecting/
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All of them are very unique dolls, but I think the character dolls have the most "character". I like their back stories, not because they are nice, but because they are real. I like dolls with stories to their life.
ReplyDeleteI like the character dolls for the same reason and because they represent people Rosa Wilder Blackman came in contact with in everyday life, mostly African American men and women in their work roles. She also made several versions of many of the characters.
DeleteI had no idea the dolls were based on people she met! That makes them even more special.
DeleteThis comment has been removed by the author.
DeleteRead a brief bio of Rosa Wilder Blackman here.
Delete