Russell Gets New Buttons and a Little Jealousy

Russell Williams

In approximately 2008, I sent two shirts and a tie to a friend along with a Matt O'Neill suit pattern.  She used these clothing items as the material to make the three-piece suit, shirt, and tie that Russell Williams wears above.  The shirts and tie were clothing items that were my brother, Ronald's.  Ronald passed away in 2007 shortly after being diagnosed with colon cancer and given a prognosis of only two years to live.  (Which was detrimental to his psyche and longevity.  I do not believe doctors should play God and tell a patient how long they believe s/he has to live unless the patient asks. After the diagnosis and grave prognosis, even with surgery and chemotherapy, and possibly as a result of it, my brother only lived eight months.)

As a forever reminder of him, I wanted one of my dolls to have clothing made from Ronald's clothing, who was always very well dressed.

My friend did a fabulous job with the suit, shirt, and tie, but I have always thought the buttons were not the right size.  After sharing the above picture online recently and mentioning my desire for smaller buttons, I decided to make it happen.

Russell holds a package of buttons containing a color that closely matches the color of his suit.

I took an additional "before" photograph of the jacket and vest before removing the original buttons and sewing on the new ones.

The smaller buttons look much better.  To add more realism, I even added two buttons to each sleeve, seen better in the next image.

Conversation with my husband after the jacket and vest buttons were sewn on:
Me (showing him the jacket):  Do you think I should add buttons to the sleeves?

Him:  No, not really, unless you want to make it look even better.

Me:  I do.  (I had already looked at his jackets and noticed some sleeves have two buttons and some have three).  How many should I add, two or three?

Him:  Two.

Russell models his suit without the jacket with the old, over-sized buttons lying below.

The dapper Russell is pleased with the end result.  I know Ronald would be pleased, too.

***
Additional conversation with Husband the day after Russell received new buttons for his jacket and vest:

Husband (noticing Russell lying on the kitchen counter):  You take care of these dolls better than you do me.  I don't have new buttons on a "new" suit.

Me:  You don't need a new suit and his suit wasn't new.

Husband:  Well, I don't have new buttons on an old suit.

Me:  You don't need new buttons.  His buttons were just too big.

Husband:  If I had a suit that had buttons that were too big, you wouldn't sew new ones on for me.

Me:  Nope, sure wouldn't.  If you didn't sew them on yourself, I'd have the dry cleaners do it for you.

***

I have added images of the shirts and tie used to create Russell's suit, shirt, and tie and some of my favorite pictures of my brother.

Brother's shirt and tie were used to make Russell's suit and tie

The black material from this shirt was used to make Russell's shirt.

Ronald in photo probably taken at a park during the 1970s.

Same 1970s day

Ronald late 1960s/early 70s, dressed in a brown suit and knicker pants with knee-high boots (that I still have).

Ronald, getting his grub on during the 1990s at a girlfriend's house during the holidays.

 Miss you!


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My Brother's Makeup

A digital capture of page 133 in the Ultimate Barbie Doll Book by Marcie Melillo illustrates Sun Set Malibu Francie.

Sun Set Malibu Francie is one of a few doll specimens purchased during the 1990s when my desire to deepen the complexion of white dolls was in full force. Various techniques were used, which include but are not limited to the use of Rit clothing dye, acrylic paint, vinyl spray paint, and clear varnish.

The use of Rit dye was the preferred method, but the doll specimen, I discovered by accident, has to be porous in order to absorb the dye. It works well, of course, with cloth and soft vinyl, but hard plastic surfaces will not absorb clothing dye. Instead these materials turn an ugly gray to green color or they do not change in color at all. Synthetic hair, depending on the material from which it is made, usually absorbs dye, but in a rare few cases it does not.

In the case of Sun Set Malibu Francie, a doll composed of a variety of porous and nonporous materials, the Rit dye changed the color of her soft vinyl face and her slightly firmer vinyl arms and legs. Because of their different porosity, the dyed colors were not an exact match. Her rigid plastic body did not absorb the dye. Her yellow hair color also refused to change. I tried to match up the colors using acrylic paint that was sealed with a clear varnish, but never could achieve the desired perfect match. As a result, she was tossed aside, stored for years inside a file closet.

I rediscovered the doll recently, looking more pitiful than she did on the day of her banishment. Her face had impressions of hair strands where it had pressed against the vinyl paint used to match the face and body color. I examined her body, arms, and legs and was pretty impressed with the even color I had achieved so many years prior. This is what prompted me to do something about her face and stubborn yellow hair.  She, too, wanted to be freed from her closeted dungeon.

I used Oops! to remove the old paint from her face and experimented with Old English Scratch Cover for dark woods in an attempt to darken the face vinyl. It did, but but not enough. With no desire to paint her face, I needed to think of something else to use... finally, I remembered my brother's Flori Roberts makeup palettes.

My brother in 1997

During the 1990s, probably around the time I first began experimenting with colorizing dolls, my brother worked with his then girlfriend as a Flori Roberts makeup artist in major department stores. They traveled from store to store, usually on the weekends, where my brother's good looks and his innate talent as a gifted graphic artist, drew in women seeking makeovers or perhaps just to have him touch their faces. Even though I did not wear makeup at the time, I allowed him to make me over once, and he was pretty good.

Camera-shy me and my always-smiling brother, circa 1957 in a photo taken by our oldest brother

My handsome and talented brother succumbed to colon cancer in 2007. He was four years my senior and always so full of life until his last eight months.  He was given two years to live after his diagnosis.  Unfortunately, he gave up the fight in eight months.  Even though I know we all have our appointed time, if he had been afforded access to better health care, and, had the doctors not given him such a grave prognosis, would he still be here or would his surrender have been postponed?  I wonder.  I never even dreamt I would surpass him in age, let alone in life.  I have done both.

I have a few of his things as tangible reminders of his existence in the earth realm and of course his memory will always live in my heart as long as it beats. One of his unused Flori Roberts (FR) makeup palettes is one tangible reminder. I kept it because I knew I could use it for my dolls in some way.

Using a makeup sponge, Sun Set Malibu Francie's face color was deepened with FR Brown Satin cream makeup followed by #6 pressed powder from the same palette. I used some of my blush for her cheeks.  (Yes, I wear makeup most of the time now... age and vanity have forced that upon me.)   Her eyes and lip color were repainted with acrylic paint. I even used some of the cream makeup to darken her yellow hair and gave it low lights with black hair color mascara (something else age and vanity force me to use to cover up my graying temple hair).

Dyed, polished, painted, made up, perpetually smiling, Sun Set Malibu Francie free at last!

Like me, Sun Set Malibu Francie is not perfect, but she looks much better than she did when I retrieved her from the file closet, thanks to my brother's makeup. 


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